Introduction:
The King Gets His Mojo Working: Elvis Presley’s Electrifying Rendition
Elvis Presley’s “Got My Mojo Working (master)” isn’t a single song, but a captivating medley that fuses two blues classics: “Got My Mojo Working” by Muddy Waters and “Keep Your Hands Off Him (She Belong to Me)” by Presley himself (though credited to Priscilla Bowman and Big Jay McShann). This electrifying combination, recorded in 1970 at RCA’s Studio B in Nashville, offers a glimpse into Elvis’ enduring love for blues and his masterful ability to reimagine familiar sounds.
“Got My Mojo Working” originated in 1956 with blues legend Muddy Waters. The song, built on a hypnotic groove and suggestive lyrics about restoring lost magical power (“mojo”), became a cornerstone of Chicago blues. Elvis, a lifelong blues enthusiast, likely encountered the song during his early days in Memphis, where blues music thrived.
The second half of the medley, “Keep Your Hands Off Him (She Belong to Me),” was actually written by Elvis himself, though credited under a pseudonym. This fun, possessive declaration perfectly complements the confident swagger of “Got My Mojo Working.” The merging of these two songs creates a potent brew – a bluesy assertion of power and possessiveness, all delivered with the undeniable charisma of the King.
While the exact date of the recording is debated (falling between June 4th and 9th, 1970), the energy is undeniable. Elvis’ vocals are powerful and playful, perfectly capturing the spirit of the blues. The band lays down a tight, funky groove, propelled by Al Pachucki’s dynamic drumming. While the “master” version refers to the original studio recording, it’s worth noting there are alternate takes available, showcasing the raw energy of the session.
“Got My Mojo Working (master)” wasn’t released as a single until decades later, appearing on the 1971 compilation album “Love Letters from Elvis.” However, its legacy lives on. It stands as a testament to Elvis’ deep appreciation for the blues and his ability to infuse it with his own rock and roll swagger. This electrifying medley is a must-listen for any fan of the King or anyone who appreciates the power of a well-crafted blues groove.