Introduction

“Three Little Words” is a classic song composed by Harry Ruby with lyrics by Bert Kalmar, first published in 1930. The song quickly gained popularity after its initial recording by Duke Ellington and His Orchestra, featuring The Rhythm Boys—Bing Crosby, Harry Barris, and Al Rinker—on August 26, 1930. This version was prominently featured in the film “Check and Double Check,” which premiered later that year.

The collaboration between Ruby and Kalmar was celebrated in the 1950 MGM musical film “Three Little Words,” starring Fred Astaire as Bert Kalmar and Red Skelton as Harry Ruby. In this biographical film, Astaire and Skelton performed the titular song, bringing renewed attention to the duo’s songwriting legacy.

Over the decades, “Three Little Words” has been interpreted by numerous artists across various genres. Notable renditions include those by jazz luminaries such as Ella Fitzgerald, who recorded the song in 1941, and John Coltrane, who collaborated with Milt Jackson on a version recorded on January 15, 1959. These interpretations have contributed to the song’s enduring presence in the jazz and pop music canon.

Engelbert Humperdinck, known for his smooth baritone voice and romantic ballads, added “Three Little Words (I Love You)” to his repertoire, releasing it as the B-side to his 1968 single “Les Bicyclettes de Belsize.” This release was part of his 1969 album “Engelbert.”
Humperdinck’s rendition offers a heartfelt interpretation, aligning with his signature style that emphasizes emotional expression and romantic themes.

The song’s lyrics convey a profound message about the significance of expressing love through the simple phrase “I love you.” This theme resonates universally, contributing to the song’s lasting appeal. Humperdinck’s version captures this sentiment, delivering a performance that underscores the emotional weight of these three little words.

In summary, “Three Little Words” stands as a testament to the timeless nature of love songs, with its rich history spanning from its 1930 debut to various interpretations by artists like Engelbert Humperdinck. Each rendition brings a unique perspective, yet the core message remains unchanged, highlighting the enduring power of expressing love through music.

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