Perry Como – And I Love You So

Introduction

While the smooth vocals of Perry Como uttering the heartfelt “And I Love You So” might seem like a natural fit, the song’s journey to becoming a signature Como hit is full of surprising twists.

Originally composed and performed by singer-songwriter Don McLean in 1970, “And I Love You So” was a melancholic ballad expressing the pain of lost love. The song gained moderate recognition but didn’t achieve mainstream success.

Enter Perry Como, the established crooner known for his soothing baritone and lighthearted repertoire. In 1973, against the advice of his producers, Como decided to record “And I Love You So” for his album of the same name.

Como’s rendition transformed the song. The melancholic undertones remained, but his gentle delivery and the album’s lush orchestration softened the edges, creating a version that resonated with a different audience.

The unexpected happened. Como’s “And I Love You So” soared up the charts, reaching the Top 40 on the Billboard Hot 100 and becoming the number one song on the Easy Listening chart. It remained a staple in Como’s live performances and solidified his legacy as a versatile artist who could navigate various musical styles.

Como’s “And I Love You So” became a testament to the power of interpretation in music. It showcased how a song, originally conceived with one emotional core, could evolve and resonate with new listeners through a fresh delivery. So, as you listen to Como’s version, remember the intriguing backstory and appreciate the unexpected journey that brought this beloved song to life.

Video

https://youtu.be/SKp1HKM_4TY?si=PuTXfOVAbzigB-ku

And I Love You So (https://youtu.be/SKp1HKM_4TY?si=PuTXfOVAbzigB-ku)

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TOBY KEITH SAT THROUGH HIS ENTIRE FINAL SHOW — BUT STOOD UP FOR EXACTLY ONE SONG. THAT SONG WAS BORN 31 YEARS EARLIER. In December 2023, Toby Keith returned to the stage in Las Vegas after more than two years battling stomach cancer. He called them “rehab shows” — three sold-out nights at Park MGM. On the final night, December 14, he was too weak to stand. He sat and sang for nearly the entire show — but his voice was still strong, and his spirit never wavered. Then, near the end of the set, the opening notes of “Should’ve Been a Cowboy” rang out. The song that launched everything in 1993. The most-played country song of the entire decade. And Toby Keith stood up. Not quickly. Not easily. Slowly, deliberately — as if every inch cost him something. But he stood. And he sang the song that started it all, on his feet, one last time. Thirty-eight days later, Toby Keith was gone. He left behind 20 number-one hits, 18 USO tours, over 250,000 troops who heard him sing in war zones — and one final image that no fan who was there will ever forget.

DOZENS OF PEOPLE TOLD HER TO MAKE HIM QUIT. MILLIONS MORE TOLD HER LATER. SHE NEVER LISTENED. Toby Keith didn’t start on a stage. He started in the Oklahoma oil fields, playing bars at night with a band called Easy Money. Tricia Lucus was 19 when she watched him walk into that club. He was 20. Full of confidence. Full of nothing else. They married young. She had a daughter. He adopted her without hesitation. Then the oil fields dried up. And all he had left was a guitar and a dream everyone told her to kill. “Tell your old man to get a real job.” She didn’t. Nine years she waited. Then came “Should’ve Been a Cowboy.” Then came everything. But everything also meant war — the kind fought in headlines. “Courtesy of the Red, White and Blue” split the country in half. The Dixie Chicks feud. The Trump inauguration. Half of America called him a hero. The other half called him something else. Through every storm, Tricia never gave interviews. Never defended. Never explained. She just stayed. Then cancer came. She told him five words: “We got this. Let’s go.” He called her his best nurse. He died two months before their 40th anniversary. The world argued about Toby Keith for 30 years. Tricia just loved him through all of it.

2 YEARS AFTER TOBY KEITH PASSED AWAY, HIS GREATEST INHERITANCE WASN’T WRITTEN IN A WILL — IT WAS HIDDEN IN KRYSTAL’S CHEST. February 5, 2024. Stomach cancer. Toby Keith was gone at 62. He left behind 32 number one hits. 40 million albums sold. A Country Music Hall of Fame induction. But none of that is what Krystal inherited. In 2004, a 19-year-old Krystal stood next to her father at the CMA Awards and sang “Mockingbird.” Two voices. One bloodline. Nashville took notice. But Toby didn’t let her chase fame — he made her go to college first. “She’s like me, she sings hard, and she’s just country as cornbread,” Toby once said. “I have to let her do what she does best and not make something out of her that she’s not.” In 2013, Krystal released Whiskey & Lace — produced by her father. He even sang on the track “Beautiful Weakness.” Their voices together on one record. She didn’t know that recording would become one of her most sacred possessions. Then Krystal stepped away. Not because she lost the gift — but because she chose motherhood. “She loves to sing, but she loves being a mother,” Toby said. “It’s like puppies around a dog.” Two months before he died, Toby played three sold-out nights in Las Vegas. Still fighting. Still singing. Still refusing to let the old man in. Then on July 29, 2024 — Bridgestone Arena, Nashville. The Toby Keith: American Icon tribute show. Carrie Underwood, Luke Bryan, Jelly Roll, Eric Church all performed. But the moment that silenced 20,000 people? Krystal walking to the mic and singing “Don’t Let the Old Man In” — the last song her father ever performed on television. She sang every word with steady hands. Then pointed one finger to the sky. And let the tears fall. “As great as he was in his career, he was so much greater as a dad and a husband and a Pop Pop,” Krystal wrote. “He was my hero.” The trophies collect dust. The platinum records hang still. But that voice? It’s still breathing — inside Krystal’s chest. Some fathers leave fortunes. Toby Keith left frequencies. If you could only leave ONE thing for your children — a million dollars or your voice — which would you choose?